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Nach dem 31. Dezember 2025 findet vorübergehend kein Verkauf statt. windpark books durchläuft eine strukturelle Umstellung und wird voraussichtlich im April 2026 zurückkehren. Bitte spart euer Geld bis dahin.
IMPORTANT:
There will be no sales after 31 December 2025. windpark books will undergo a structural change and will return in approximately April 2026.
重要なお知らせ:
2025年12月31日以降は一時的に販売を休止いたします。windpark books は現在、組織再編を行っており、2026年4月頃に再開する予定です。
The (Un-)eventful: a Transdisciplinary Journey
The (Un-)eventful: a Transdisciplinary Journey
Edited by Paul Kaletsch & quintus immisch
Contributors:
Taylor Borowetz, D. M. Braid, Arnaud Miranda, Quintus Immisch, Mrunmayee Sathye, Paul Kaletsch, Saskia Schomber, Felix Berenskötter, Levi McLaughlin, daniela Sonnabend, windpark books (felix hofmann-wissner)
Although the ebook version features the same content (you can find it here), the layout and design of the print edition differs, as it contains unique artistic interventions by Daniela Sonnabend.
The volume brings together various methods and different approaches to events. In this sense, the edited volume does not offer a comprehensive study of ‘important’ empirical events, theoretical conceptualizations of the event, or of different literary forms of narrating event(s). Instead, this book gathers contributions that allow events to unfold in writing practices. The edited volume serves as a laboratory that permits contributors to experiment with not yet fully fledged ideas, risking uncertain outcomes, and encouraging authors both to do what they want to do and to explore how they want to do it. Therefore, the chapters work as sketches that are meant to intrigue the readers and not to convince them systematically. Some of these are to be understood as practices, such as auto-theory, creative writing, or essays, while others represent a collaborative writing experiment, and in this sense, an event in themselves. These explicitly creative approaches are complemented by theoretical perspectives that engage with conceptual inquiries involving, among others, Derrida and Deleuze, or explore the notion of the event within cultural products, film, and literature. The volume aligns with contemporary trends in embracing epistemological pluralism within academia, since the book brings together different ways of knowing in order to gain new perspectives on objects, questions and methods, going beyond the strict framework of scientific objectivity. By doing so, this book positions itself as a contribution to a relevant academia, capable of bridging the gap between specialized discourse and the intellectual public sphere.
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